It’s a beautiful thing to see Gladys and Diana eventually put their differences to rest. This just goes to show that Old School beef existed too. ![]() Most of us would have responded to it the same way. On the flip side, we can’t blame Gladys Knight for not wanting to put up with Diana’s rudeness towards her. It’s a curse because along her diva journey, she made many enemies in the music game. It’s a gift because without Diana’s competitiveness, her fans probably wouldn’t have gotten the high level of music that her competitiveness pushed her to create throughout the years. Sometimes, Diana may have gotten a bad wrap for being a ‘difficult’ diva, when it could have simply been a reflection of her extremely competitive nature…which could be a gift AND a curse for Diana. However, let’s give a lil’ bit of the benefit of a doubt here. This isn’t the first time we’ve heard about ‘the boss Ms. That response was very cordial of Gladys, wasn’t it? But find out what the real deal is, as she explained it further in her interview clip below: “Well I’m not a liar, I know that she wasn’t the happiest with me, let me put it like that.” Select from 313 premium Gladys Knight And The Pips of the. However, Gladys soon realized that she, herself, was the ‘problem’…at least according to what Gordy told her about Diana at that time: Find Gladys Knight And The Pips stock photos and editorial news pictures from Getty Images. Gordy and everyone else.” Berry Gordy and Diana RossĪccording to the “Midnight Train To Georgia” songstress, Motown’s founder, Berry Gordy (who was also dating Diana at the time), along with Diana, invited Gladys Knight & The Pips to open up for the Supremes on tour. Though, Gladys also admitted that she was confused as to why Diana was hatin’ on her, being that Diana “had all the attention in the world from Mr. Knight pretty much revealed that Diana was apparently hatin’ on her voice when they went on tour together during their Motown Days. ![]() ![]() It wasn’t until Gladys made it public knowledge in her memoir, that folks really started finding out about it. Apparently this feud stemmed from when Gladys Knight & The Pips were signed to Motown Records…and it didn’t end until 2005! Wow! They sure did a great job at keeping this beef on the hush. Solidarność!Ī prime examples of early 3rd wave ska from the NYC vets, which would later show up on their debut album Skaboom!.īrubeck and Paul Desmond take one of my favorite standards for quite the spin.Gladys Knight did a prior interview with The Insider, where she revealed that for 37 long years, Diana Ross didn’t like her. Starting with the popular chorus of The Beatles’ Hey Jude. The group performed in front of wounded soldiers being treated at Fitzsimons General Army Hospital in Denver, a unique and inspiring setting that Gladys took full advantage of. And yes there's a video.Įveryday someone is born who has never heard U2's "New Year's Day". Gladys Knight and the Pips’ special performance on The Ed Sullivan Show happened on March 29, 1970. Iggy's third solo album with help from former Stooges James Williamson and Scott Thurston. Photo of Gladys Knight & Pips Group Gladys Knight and the Pips pose backstage at the Apollo Theatre circa 1964 in New York City, New York. And of course, an early MTV heavy rotation classic. Photo of Edward PATTEN and Bubba KNIGHT and Gladys KNIGHT & The Pips and Gladys KNIGHT and William GUEST Posed full length studio group portrait L-R. Fun fact: this song will always remind of a small supermarket chain in the Omaha area called Hinky Dinky. Side one, track one from DEVO's fourth studio album. Side one, track one of the eponymous debut album from the New Riders of the Purple Sage, featuring Jer Bear on pedal steel. One-time Lawrence Welk clarinetist Pete Fountain takes for a trip down to the Big Easy. Also, their first album not on spinART, and their last with drummer Hilarie Sidney. Well, can you? Killer opening track from Apples in Stereo's 6th studio album co-penned by the late greate Bill Doss. Yep Roc Records/Simian Records LP-YEP-2132 2007 Some dreamy doomy goodness from the Bay Area band's third studio album. This is one of those songs that lies dormant in my memory until I hear it and then I get a flood of childhood memories. Naturally it's hard to pick just one song, but this one always gets the old brain juice flowing. Side 2, Track 1 of Neurotica is this killer riff rocker that hooked me when it was first released in 1987.Īll the Neutral Milk Hotel you could possibly want tucked away into this amazing box set. Omar Cunningham & K Monique) Mississippi Hummin Boy Otis Sleeps On Arthur Conley The Makings of You Gladys Knight & the Pips. Gladys and the gents turning the tables on the Bill Withers groove from the year before, and deftly covered by Meshell Ndegecello.įive Foot Two Records FF2-003-LP/Sympathy for the Record Industry STFRI 709 2002
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